The main cultural elements of this genre are its aggressive. Most fans who listen to this genre have long hair and are classified as ‘moshers’ or ‘metal heads’. Most metal bands create massive sound, characterised by highly amplified distortion, extended guitar solos, emphatic beats, and overall loudness. Heavy metal lyrics and performance styles are generally associated with masculinity. Black Sabbath and the many metal bands they inspired have concentrated lyrically on dark and depressing subject matter such as personal traumas. It also covers self-explanatory issues which are in the songs 'War Pigs' and 'Hand of Doom.' Nuclear annihilation was addressed in later metal songs such as Black Sabbath's "Electric Funeral", Iron Maiden's "2 Minutes To Midnight", Ozzy Osbourne's "Killer of Giants", Megadeth's "Rust In Peace...” and Metallica's "Fight Fire With Fire". Death is a predominant theme in heavy metal. The more extreme forms of ‘death metal’ and ‘grindcore’ tend to have aggressive and gory lyrics.
Heavy metal songs often feature outlandish, fantasy-inspired lyrics, lending them an escapist quality. Iron Maiden's songs, for instance, were frequently inspired by mythology, fiction, and poetry, such as Iron Maiden's "Rime of the Ancient Mariner", based on the Samuel Taylor Coleridge poem. Led Zeppelin lyrics often reference Lord of the Rings as well as other mythology and folklore, such as in the songs "The Battle of Evermore", "Immigrant Song", "Ramble On", "No Quarter", and "Achilles Last Stand".
I’ve done some investigating into the representation of metal through things like Album artwork. However, one of the best sources I feel that highlights the distinct imagery is a video game known as “Brutal Legend” “ Brutal Legend” is, in itself, designed as a kind of homage or tribute to the classic view of Rock and Metal music, particularly as far as design goes. In the game, you are thrust into a world based upon the artwork ad themes of metal, such as a hellish underworld, gigantic stone swords jutting out of the ground, massive amps forming cliffs, dungeons filled with spiders spinning string of metal, and other such imagery from different sub-cultures of metal. A great deal of this can be anchored to specific album covers, like so: The idea of ‘ hardcore’ metal really stems from these mythical ideas, These ‘brutal legends’. Modern Swedish metal band ‘Sabaton’s’ latest album features songs that pertain to many significant battles and occurrences within the past 100 years, such as the Greco-Italian war, the Warsaw uprising, and the Holocaust as well as the Second world war in general. This puts a modern twist on the fairly old-style rooted nature of Metal. A lot of these types of images can be pulled from ideas like mythology, particularly Norse Mythology . The extreme types of satanic and gory images draw from the common factors in legends of blood and steel, or blood and metal . These can often be very gritty dark and brutal myths, such as Odin, the Norse god of death, war and battle, often seen astride his eight legged horse Sleipnir.
Battles and war often seem to be a prevalent part of metal songs and their representation. The idea of a battle against adversity to reach a goal, like a road or some such, is a very American idea. Nickelback’s Album “The Long Road” is one such example of this type of iconography. Conversely, going solely from the aspect of legend, the styles can expand into fantasy, such as with the covers of work by ‘DragonForce’ .
The Horns was a phenomenon of heavy metal subculture. Initially it was used by Ronnie James Dio so he could have a hand gesture in the same sense as one of his most respected Metal artists, Ozzy Osborne (Who often raised the ‘Peace’ Sign during concerts). Dio’s Grandmother used to make it to ward off the “evil eye”, a fairly old but traditional superstition, and he took it as his own, turning into one of the representative signatures of Metal. Metal Fashion is typical that of leather, or fairly large, silver or iron jewellery, such as the distinctive belt buckle shown. Glam Metal subcultures go much further, having the dramatically large hair, flashier, brighter clothes and more flamboyant nature, typically.
Magazines that are currently in publication which cover this genre are Metalhammer, Classic rock and Kerrang.
The features they have in their magazines, for example Metalhammer, are brutal. This is connoted by their aggressive facial expressions.
Here are some artists that I feel represent the genre well:
The usual basic stereotypical attire of metal fans is blue jeans, denim/leather jackets, boots and black t-shirts. T-shirts are generally covered in logos or any other images of favourite bands. There are other elements of clothing which is worn such as chains, metal studs, skulls and crosses, these articles of clothing are stereotypically worn by 'Goths'.
I’ve done some investigating into the representation of metal through things like Album artwork. However, one of the best sources I feel that highlights the distinct imagery is a video game known as “Brutal Legend” “ Brutal Legend” is, in itself, designed as a kind of homage or tribute to the classic view of Rock and Metal music, particularly as far as design goes. In the game, you are thrust into a world based upon the artwork ad themes of metal, such as a hellish underworld, gigantic stone swords jutting out of the ground, massive amps forming cliffs, dungeons filled with spiders spinning string of metal, and other such imagery from different sub-cultures of metal. A great deal of this can be anchored to specific album covers, like so: The idea of ‘ hardcore’ metal really stems from these mythical ideas, These ‘brutal legends’. Modern Swedish metal band ‘Sabaton’s’ latest album features songs that pertain to many significant battles and occurrences within the past 100 years, such as the Greco-Italian war, the Warsaw uprising, and the Holocaust as well as the Second world war in general. This puts a modern twist on the fairly old-style rooted nature of Metal. A lot of these types of images can be pulled from ideas like mythology, particularly Norse Mythology . The extreme types of satanic and gory images draw from the common factors in legends of blood and steel, or blood and metal . These can often be very gritty dark and brutal myths, such as Odin, the Norse god of death, war and battle, often seen astride his eight legged horse Sleipnir.
Battles and war often seem to be a prevalent part of metal songs and their representation. The idea of a battle against adversity to reach a goal, like a road or some such, is a very American idea. Nickelback’s Album “The Long Road” is one such example of this type of iconography. Conversely, going solely from the aspect of legend, the styles can expand into fantasy, such as with the covers of work by ‘DragonForce’ .
The Horns was a phenomenon of heavy metal subculture. Initially it was used by Ronnie James Dio so he could have a hand gesture in the same sense as one of his most respected Metal artists, Ozzy Osborne (Who often raised the ‘Peace’ Sign during concerts). Dio’s Grandmother used to make it to ward off the “evil eye”, a fairly old but traditional superstition, and he took it as his own, turning into one of the representative signatures of Metal. Metal Fashion is typical that of leather, or fairly large, silver or iron jewellery, such as the distinctive belt buckle shown. Glam Metal subcultures go much further, having the dramatically large hair, flashier, brighter clothes and more flamboyant nature, typically.
Magazines that are currently in publication which cover this genre are Metalhammer, Classic rock and Kerrang.
The features they have in their magazines, for example Metalhammer, are brutal. This is connoted by their aggressive facial expressions.
Here are some artists that I feel represent the genre well:



